What is my first lesson like?

First we have a chat with you to find out your specific singing goals and objectives, or any problems you have been having.

Then we get you to sing through a special 'diagnostic scale', which allows us to hear what your voice tends to do.  Strange as it may seem, it is often quite easy for a trained specialist to hear what someone tends to do just from this one scale!  

Next we give you some feedback based on what we have heard, and then we can 'prescribe' you with a program of vocal exercises to help correct any weaknesses and develop your voice.  This is tailored to your own voice.

Once you have a better idea of what needs to be done through exercises, the second half of the lesson is usually set aside for singing a song and applying what has been learnt during the exercises.


You can do but it's not essential.  Certainly don't try and perfect your song, as that's what we can especially help you with.  You can also use lyrics as a guide. 

Should i bring sheet music?

Not essential.  You can do if you have some.  Check with your teacher, particularly if it's complicated to play.  You can definitely bring lyrics or a chord chart, especially if your song is unusual or hard to find.  Otherwise, we can print off lyrics or chords or music, as necessary.

We also have Spotify, either for reference or if you would prefer to use a backing track.

Can I bring my own backing-track?

Yes, especially if it is an original track.


Absolutely, yes - we recommend that you do.

Most smart phones have a record or voice-memo function, or you can buy a portable digital recorder quite cheaply.  The quality is usually good enough to act as a reminder.

Do we offer discounts?

Yes, a 10% discount is available for 6 lesson paid for in advance.  

Lesson times and dates can vary and don't necessarily need to be booked in advance, only paid for.

how many lessons will i need?

How good do you want to be, or how quickly do you want to get there?

Six lessons provides a great introduction to proper singing technique; HOWEVER, they might not be enough to change years of bad habits.

  • If you're a professional singer, we can almost certainly help you find a better singing position within one lesson.
  • If you're a an amateur, you will certainly be able to get a difference in one lesson but it might take several sessions for the new habit to stick - more in the realm of 6-12 lessons.
  • If you're a complete beginner, you will certainly be able to find a better place to sing from in one lesson, but you might need many more lessons to learn and keep this new habit for yourself, without us there 'doing the driving' so to speak.  This is especially true if you want this new habit to be up to the level of a professional singer.  That said, you can still learn the basics from just a few lessons.

We offer regular lessons weekly, fortnightly, monthly, or whenever you wish or can afford. 


Again, how good do you want to be, or how quickly do you want to get there?  

There may be someone else ahead of you practicing more than you!

Like learning anything - a language or a sport - you will improve more by immersing yourself in your new habits as much as possible, and as soon as possible.  Then you will be able to decrease their regularity but still remember the new habit.

Crash courses are great - but expensive! - but all are useless if you don't have or create a new practice habit.  Practice is the most important aspect in learning anything...aside from a good teacher! :-)

Do you teach style too?

Yes, of course, but it's better to add style after technique has been improved, then you can stylise more or more easily.  We aren't suggesting anyone should 'over-train' their voice though, otherwise they might lose all style or individuality!

Technique facilitates style.
— Greg Enriquez, SLS Master Teacher, Las Vegas

Do you offer group lessons?

Not at the moment, sorry.

What technique do we teach?

All of our teachers were trained in Speech Level Singing (SLS).

WHat about the guy online talking about SLS?  

I think he might have confused Speech Level Singing with speech therapy.  Or I don't think he can have seen an experienced SLS teacher.  He seems confused about it anyway.

SLS was precisely designed to help singers sing more easily and more strongly, without any strain or cracking.  That's why so many top singers still study and use it, and why so many modern vocal techniques are based on it. 

Singing and speaking use exactly the same vocal 'apparatus'. 

A large part of what we do is helping singers stop shouting whilst they sing.  Once they've done this, they can increase the volume, support, intensity, rasp, etc, but not before or too soon, otherwise they go back to shouting!

1. We definitely do teach support.  

2. We do teach the bright tone necesary for singing and projecting.  'Bratty NAY', for example.

3. We teach better bridging not 'early bridging'.  This may be earlier than if someone is bridging latewhich is often the cause of vocal strain.  We do not teach vocal strain.  We helps singers find and improve the 'middle voice' by coordinating the vocal muscles better.  Once you've reduced the strain sufficiently you can increase the strength, otherwise you will increase the strain.

4. SLS does teach the 'bright ping'.  (See also #2 above.)  This 'ping' and clear resonance is a key constituent of good singing.  However, we do often use some temporary 'dopey' or 'dumb' sounds to help singers relax the vocal strain caused by a tight larynx.  Maybe this guy heard only part of a lesson...or a singer mid-lesson...or just a bad singer?

Any exaggerated sounds are only used temporarily, just to help singers feel themselves using the correct vocal muscles and breath support.

5.  We do not use loads of confusing exercises.  We use actual words (most of us know thousands!)...and we use these words as tools to help singers adjust better and find the correct vocal muscle coordination and breath support.  For example, we use: MUM or GOO or NAY.  We try to keep lessons simple and use a small amount of exercises per student.  I commonly use about 5 key exercises, again and again, with some modifications.

We also use some temporary sounds to help some singers find better placement.  If they don't need it, we don't give it to them.  Most singing teachers also use these temporary sounds.

The likelihood is that this guy and us are all heading towards the same thing - less strain, no cracks, more control, better range, more ease, more power - but his experience of SLS might have been limited.